“The audience has a smaller commitment to the format, because they can get into the universe for a smaller amount of time. For some it can be demanding to watch animation, and especially limited animation if you’re not used to it.
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So I think can be a good gateway for European grown-ups to start watching animation.”Īfter finishing the concept pilot, Nørgaard continued to rewrite the story for months, to make the story world fit into the web series format. But in the end, she realized that Fjer’s complex characters and detailed universe didn’t lend itself to a web series format, which required a beginning and end for each episode. “There’s just something about the format that always felt odd ,” Nørgaard reflects. “But as a young director and writer, I was just so eager to prove that I could do this, that I never actually dared to ask myself, ‘Is this the best way to tell the story?’” Regaining focus “Fjer” producer Lorène Lescanne.Ĭurrently the studio is exploring different formats for the project, and this time they are thinking about what format best suits their characters and world. ’ Because you get pushes and questions from everybody, and at some point you just get so confused, and you’re like, ‘I don’t know anymore.’” “I think I just wasn’t prepared for how much I could actually be influenced by other people’s opinions on the project…You really have to have this big anchor in the ground, saying ‘This is what I am. She continues, “It’s really important now to step back and look at it again, and ask myself, ‘What was it that I initially wanted to do?’ Because when you work on a project, there’s a zillion important topics in the world that could fit into a story.
And to stick to that one, you have to make a kind of contract with yourself before.” “Fjer.” Image courtesy Sønc.
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